The Needledrop Collection (a division of Score a Score) is a diverse compendium of material created by independent artists hand-selected by the SAS creative team. All of our tracks are exclusive, one-stop, and ripe for the world of sync.
Stoney Creation (she/her) is a 22 year old pluralist from Oakland, CA. Stoney involves herself in many art mediums including, singing, djing, radio hosting and more. Stoney strives to use these art forms to connect with herself and others, but to also share perspectives and her healing truths to guide people into understanding their own individual freedoms. Spiritually and through her artistry, she channels raw, authentic, and vulnerable energies to ultimately lead people and herself into their true self awakening.
While he's best known for decades of drumming in Yeasayer, Aloha, and such high profile side hustles as Passion Pit, Chet Faker, Paradis, and Joan of Arc, Cale Parks has become more of a mood-altering electronic producer in recent years. The first sign of that shift was 2015's Lagoon Fool EP, a multi-faceted record that featured lots of interlocking melodies and everything from acid techno asides ("Big Hills") to piano-laced synth progressions ("Jade").
2020’s Boards EP ventures even further into the ether, piling on the sort of polychromatic chords, artful hooks, and mood-altering melodies one might find on an old Air or Durutti Column album.
Cale’s recent solo efforts can be found on a variety of boutique electronic labels worldwide, with new releases lined up for 2022 & 2023.
At the heart of storyteller and designer, Danny Diamond's art lies a balance of lyrical introspection and melodic ear candy.
Refusing to be pigeonholed, he is at once sonically dynamic and visually captivating, as is evident in the cover art he illustrates himself.
Through these talents, the Boston native has earned a dedicated following that continues to grow with every release.
A Michigan native, Tchad crafts a unique voice onto a churning instrumental palette ranging from Funk to New Wave to Trip Hop.Their oddities shine through as a vehicle to a kaleidoscopic inner world.
Avila is the collaborative musical brain child of musicians Daniel Johnson and Brie Stoner. The two Michigan musicians collaborated on music featured on Victoria Secret, Orange is The New Black, The Affair, and international TV and film campaigns.
Their first full length project “Feminine Tense” was released in Feb 2020.
‘HEY DONNIE!” (p/k/a Don Neil) has been making a name for himself in the music scene since 2017.
From his self released single "Hey Donnie" supported by Rap Nation. He has been able to garner co signs from platinum producer K Swisha (Produced "Lil Donnie," "Tell The World.") and viral sensation Lonely God (Produced “Get Goin,” “Get Goin 2 ft. NUT!!!). As well as having support from platforms such as Lyrical Lemonade, Rap Nation, Promoting Sounds, RESPECT MAG, and many more.
Born in 1997, Don Neil is a young, hungry and most importantly, talented rap artist from Baltimore, whose musical influences range from Kid Cudi, J.Cole, Chance The Rapper. In listening to Don's music, you can easily hear that he is not the average artist these days talking about a negative lifestyle. Far from corny, Don's music has a message that conveys that it's okay to be young and not sure of which road to take, but at the same time, have motivation, be patient, have fun, and learn to smile while enjoying the process.
Praise & Warships
Dig if you will the picture: a cool, electronic breeze filling every void with catchy, funky synth frills; and a voice not unlike young Wayne Coyne, addressing technological, spiritual and extraterrestrial quandaries in a love letter to a world where suddenly, everything has changed.
Praise & Warship’s sound is as much organic and grounded as it is densely layered with aural easter eggs for your tympanic membrane. It’s edgy, danceable pop juxtaposed against the sociological nightmare we’re all living. This is earphone candy for the new world.
As a musician, Shivani is in pursuit of the effect of music on the inner being is a central theme to their work. Shivani grew up learning Indian Classical music, and studied Music Technology and Experimental Pop Music at California Institute of the Arts founded by Walt Disney. Shivani is a skilled touring musician and producer; with placements on Deb Never’s EP and touring experience with Dominic Fike, Brockhampton, Tommy Genesis, 88Rising, and more. The pure experience of music is the most inspiring aspect.
"TAKKIN [tok-kin] 德堅 dé jiān - “firm virtue”
The NYC-based singer and songwriter born Tobias Wong creates cinematic soundscapes with haunting vocals grounded in pulsating, electronic beats. His musical genesis began in the pews of international churches, where American folk music, English hymns and Mandarin ballads collide. Growing up in Hong Kong, Singapore, Shanghai, South Korea, Michigan and now Astoria, Queens, Takkin wrestles with the feelings of loneliness in liminal space and finding home.
Nate Flaks & Noah Longworth McGuire, the two halves of the pop-adjacent duo, Sleeping Lion, met while living down the hall from each other in Boston. Though they were initially pursuing other career paths, after a chance encounter with Halsey in early 2015, they were encouraged to break into the pop music scene. With Noah living in Rome and Nate living in New York, Sleeping Lion wrote & produced their first few songs together entirely over Skype.
Since their move to Los Angeles in 2017, the duo has worked with countless writers, artists & producers in hundreds of sessions, looking to build and grow with their extensive community of musician friends. This led them to dozens of cuts (Transviolet, Cody Lovaas, Emilia Ali, Salem Ilese, Lizzy Land, etc.), remixes, and packed shows (including The Echo, Madame Siam, and The Peppermint Club).
Sleeping Lion also hosts a podcast called Talking Lion where they chat with their artist friends and share the stories behind their songs.
Aaron Percy writes music to soften chaos within, piercing inner demons with stillness.
Shepherded by Nick Drake, Joni Mitchell, and Sufjan Stevens, Aaron’s songs are familiar but new. Like lullabies long forgotten, they weld delicate melodies, puckish rhythms, and lucid prose. Somewhere between New England and Northern California, Aaron is singing a song. For himself, for his pup, and for you.
Annabelle Freedman wraps you in a delightful blanket of upcycled sounds. Based in Los
Angeles, they breathe bewilderment into their generous collaborations bringing you
undiluted sincerity. They are an interdependent artist, rather than an independent one.
Through the use of undulating vocals captured on a Telefunken TF-29 Copperhead, expansive
Ableton production, NS electric violin, and Fender's Tenor Tele, their collaboration with
companies as well as their musical collaborators beckons listeners to celebrate the
magnificent as well as the mundane.
Their latest release, "Blastin Pastem," with Zhao, broadcast on NPR as a top tune, premiered
on KCRW's most popular show, Morning Becomes Eclectic, and was played by KCRW DJ's
Valida, Novena Carmel, Anne Litt, Raul Campos, and Aaron Byrd. It made the top 20 of 2020
list of several KCRW DJs. Annabelle also released the singles, "reCOLLECTION" along with a
music video by Kellen Malloy, "Rainbow", "Green Tree Tops", "Slippin", and "Mirror's Eye" in
2020. In 2021, they released “Hope” with Def Sound and Zhao which also premiered on
KCRW’s MBE while Annabelle is working on their first full-length album with Rachel White.
Their first production credits, "Flowers" and “A Poem Called Here”by Def Sound, also graced
KCRW airways by way of several DJs.
Joey Joesph (né Cook) is a songwriter, producer, multi-instrumentalist and visual artist based in Cincinnati, Ohio. He has shared bills with Chastity Belt, Diane Coffee, Clap Your Hands Say Yeah, Islands, Pillar Point and others, and was named Cincinnati's "New Artist Of The Year" in 2017. In 2020 Joey released his completely self-recorded cover of the legendary Beach Boys album, Smile, available exclusively on Bandcamp.
Joesph also co-founded the psych pop band Pomegranates in 2006, who released five LPs and toured nationally with artists such as Phantogram, Wye Oak, Islands, French Kicks and more.
Kris Johnson is an award-winning trumpeter, composer, and educator. He has appeared on five Grammy-nominated albums and composed the original score for the four-time Emmy-nominated webseries “King Ester”. Kris toured the world as a trumpeter and arranger with the Count Basie Orchestra from 2008-2019 and served as the Director of Jazz Studies at the University of Utah from 2015-2019. Currently, Kris is a freelance composer, arranger, and educator in Metro Detroit, and the creator and curator of the online educational series “Office Hours with Kris Johnson”.
Kris was recently commissioned by Plowshares Theater (Detroit, MI) in partnership with the Kresge Foundation to compose a musical influenced by Detroit’s historic Black Bottom and Paradise Valley neighborhoods. “Hastings Street: the musical” is currently in development with music/lyrics co-composed by Kris and playwright/actor John Sloan III who also wrote the book. In 2012, Kris received an ASCAP Herb Alpert Young Jazz Composers award and was selected as one of 25 Detroit performing and literary artists to receive a $25,000 Kresge Artist Fellowship. Kris was awarded a grant in 2014 from New Music USA to fund a studio recording of his original musical “Jim Crow’s Tears” with a book by Gary Anderson of Plowshares Theater (Detroit). Kris has been commissioned to write compositions and arrangements for the Count Basie Orchestra, Ken Thompkins (principal trombonist, Detroit Symphony Orchestra), Arts League of Michigan, Karen Clark Sheard, Yolanda Adams, the Clark Sisters, Farmington Community Band, Detroit Symphony’s Civic Ensembles, Ferndale Community Concert Band, Motor City Brass Band, Troy High School, New Trier High School, and many others.
Mr. Johnson has performed at some of the world’s most prestigious jazz venues including the Apollo Theater, the Blue Note Jazz Club (US and Japan), Sydney Opera House, Blues Alley, and the Hollywood Bowl. He has also had the opportunity to perform with many jazz greats including the Jazz at Lincoln Center Jazz Orchestra with Wynton Marsalis, Tony Bennett, Patti Austin, Wess Anderson, Wycliffe Gordon, Jon Hendricks, Monty Alexander, Christian McBride, Jamie Cullum, and many others. As the leader of The Kris Johnson Group, he has recorded several studio albums including “Odd Expressions”, “Journey Through a Dream” and “The Unpaved Road” with Lulu Fall. He has also produced a series of video projects including live performances, virtual big band videos, and his audiovisual album “SAFE” featuring his abstract illustrations and animation. Kris was featured soloist in the 2013 standup-comedy film “Make Me Wanna Holla” starring Sinbad.
Johnson has a keen sensitivity to the nuances of film as is evident in his award-winning film scores for various webseries, documentaries, short films, and feature films. Kris scored the Dui Jarrod webseries “King Ester” which was picked up by Issa Rae’s YouTube Channel “Issa Rae Presents”. The series was nominated for four Emmy Nominations in 2020. Kris received an Outstanding Score award for his work on the comedic web series The PuNanny Diaries at the 2011 LA Webfest and wrote the score for “Searching For Shaniqua” which won HBO’s Best Doc Award at the 2016 Martha’s Vineyard Film Festival.
Brave Little Howl
Brave Little Howl is from the DFW area in North Texas. The band was formed initially by Marc Atkinson and Billy Hale in 2015 in an apartment with two acoustic guitars.
Marc Atkinson guitar; Billy Hale vocals & guitar; Josh Miller keys & bgvs; Cory Phifer drums; Clay Friddle guitar, xylophone, percussion & bgvs; Cole Risner bass
Their first recording Make Your Heart Sweat EP was recorded in 2016 in Nashville with Buckley Miller and Michael John Scheuchzer, and released the following year. Over the next couple years the band found their sound: a kind of Wilco-meets-Indie-Rock-meets-the-Eagles sound.
Our Lives Aren't Movies, the band's first full-length album, was the result of finding and exploring that sound. The Album was recorded at Redwood Studio in Denton, TX over several sessions from Sept. 2017 through Feb. 2018. The producer was McKenzie Smith from the band Midlake, who has also worked with artists like St. Vincent and Sarah Jaffe. Joey McClellan, also of the band Midlake, was the engineer.
Born to Congolese parents in Paris, Shabani immigrated to Canada before launching alternative hip-hop artistry in Texas.
In an area where the music culture is expansive and rapidly accelerating, Shabani’s sound keeps pace by blending compellingly personal lyrics with high-energy backbeats that combine to work double time. The result is a product that dually satisfies the late night thrill seeker with stimulating, club pounding rhythms while still providing the idle listener with lyrics that flow in a story-like format.
Influenced by Kid Cudi, Kaytranada, Lupe Fiasco, and Childish Gambino, Shabani identifies with the outsiders of hip-hop. The independent artist has more than 50 original songs available on all major music platforms and has established a presence with performances at iconic venues across the United States and festivals including South by Southwest, ESPN X Games, and So What Music Festival alongside D Smoke, K CAMP, Trinidad James, Mac Miller, and Kanye West.
His idiosyncratic multi-city story plays out in his latest EP, "Shabani’s Smooth Sounds of the Summer." With homages to his native French and Lingala, Shabani blends bouncy club beats with spacious soundscapes to let lyrics lead.
Eyelid Kid is the creative moniker of Austin-based producer and musician Paul Grant. EK's forward yet nostalgic sound consists of; electronic grooves that meet catchy, pop-inspired vocals melded with R&B beats. Think: Naturally textured rhythms over a bed of lush melodies placed in a coming-of-age film.
Sitting somewhere between the orchestral chamber pop roots of Randy Newman and the melted soundscapes of Ween, each song on Love Axe’s new full-length THE FOOD creates its own unique atmosphere. “This is a record for the desperate weirdo in everyone,” songwriter Chris Hatfield (Those Transatlantics) says. Embracing pop in a more ravenous way than before, the songwriting envelops the Stevie Wonder through a smartphone funk of Unknown Mortal Orchestra on opener “Do The Transform,” and standout single “Give Me A Kiss.” The soaring aughts-pop crunch of “Black Out The Sun” hearkens back to the guitar and heartbreak-soaked South Dakota days, giving the album a solid grip to launch itself into unfamiliar waters. The record is shot through with power pop careen (“Parasite,” “Armageddon Stuff”) and dance floor oblivion (“I Can Find You,”) before finding a bittersweet ache on “Do What You Want To” and “Sympathy,” bringing to mind the effortless pop immediacy of Jenny Lewis.
Conceived and recorded over a period of five years in LA’s Frogtown neighborhood, THE FOOD was originally intended to be a country album. “I started the record with this one shitkicker of a song that kept getting pushed back by the next one I’d write,” says Hatfield. “Eventually, nothing started making sense until I surrendered to my true motivations,” which, along with the usual components of fear and loathing, was “anything that felt significantly deranged enough compared to the last record. The result is a genre-destroying, technicolor achievement fueled by undeniable grooves and alternative-universe pop songwriting.
The album also sees contributions from both erstwhile and new collaborators, including original Love Axe drummer Heath Johnson and bassist/vocalist Joelle Barrios, drummer Amber Barnard and multi-instrumentalist Todd Boepple, and on “Think”, the album’s pop triumph centerpiece, a collaboration with fun.’s Grammy-winning chameleon Andrew Dost. The communal feel of the record embraces and encourages its eclectic nature. THE FOOD swings in all directions, inhabiting a charmingly sincere wrecking ball with enough momentum for the desperate, inner weirdo in each of us.
LULU FALL is a singer, award-winning songwriter and actor currently based in New York and Detroit. Lulu, a formally trained jazz vocalist with a musical theatre background, is one complete and unexpected package. As a product of Senegalese and Cameroonian parentage, her music reflects her global perspective by way of her American sensibilities.
Because Lulu has a background in musical theatre, she alternates between that and music. Among other shows, she was a performer in the Smithsonian’s American Songbook Program, and ensemble member in Studio Theatre’s adaptation of Passing Strange. She was also a featured ensemble member in the acclaimed hippie love-rock musical HAIR, both the first National tour and Broadway. Her off-broadway credits include: Natasha, Pierre, and the Great Comet of 1812, the acclaimed Porn musical Pretty Filthy, and acclaimed folk-opera Hadestown. Lulu portrayed the character of Brenda in Capital Repertory’s production of Smokey Joe’s Cafe in Albany. Lulu was most recently in Broadway production of Natasha, Pierre, and the Great Comet of 1812, and the off-Broadway productions of This Ain't No Disco and Wild Goose Dreams.
With a degree in Jazz Studies, Lulu attended Michigan State University. Lulu Fall independently released her debut EP, It’s Official in 2009, both in Washington DC and London. Her title track single can be found on Spotify. Lulu also independently released a collaborative EP, Heal: Part 1, with the LF+JT (Lulu Fall and James Theory) project in 2015. Lulu's latest collaborative project album, The Unpaved Road, was released in August 2017 with writing partner Kris Johnson. This full-length album can be found on all major music platforms ( iTunes, Spotify, CD Baby) as well as the Artist Centric Music label website (www.artistcentricmusic.com). The latest video single from this album, entitled "Painfully Sober", was exclusively released by AFROPUNK. Some of Lulu’s music performances include the Winter Music Conference in Miami, FL, Blues Alley in Washington, DC, Langnau Jazz Nights Festival in Switzerland, Jazz Re:freshed in London and Cliff Bell’s in Detroit, MI. Lulu was a finalist in the 4th annual Sarah Vaughan International Vocal Jazz Competition. Lulu won the Mid-Atlantic Song Competition (MASC) and was awarded Gold and Silver for her songs “Fight” and “No Better” in the R&B category. Her single “Pretty For a Dark Girl” was awarded TOP 5 WINNER in the R&B category of the Great American Song Contest. Lulu is set to release her next album, Between Two Worlds, November 8th, 2019 under Ropeadope Records.
Mia Pixley, Ph.D. is a clinical psychologist and artist who uses her cello, voice, and music performance to study and represent aspects of self and other, community, and the natural world. Similar to the collaborative lens from which she approaches her psychotherapy practice, Mia’s artistic collaborations lead with curiosity, honesty, humility, and humor. Protectively whimsical and simultaneously melancholic, Mia’s music gravitates toward the beauty hidden in sorrow, pain, and loss and this beauty’s potential to inspire curiosity, wonder, rebirth, and reconnection to ourselves, each other, and the natural world. She has a professional studies diploma in cello performance from San Francisco Conservatory of Music (Class of ‘18). She has performed on GRAMMY award winning albums and award winning off-Broadway musicals. She tours regularly with Windham Hill Winter Solstice Tour and collaborates with artists both in the SF Bay Area and NYC. Mia lives in the California Bay Area with her husband and their young son. She cares about community, interconnectivity, and nature. Mia just released her first full length album titled “Margaret in the Wild" this July (2021), which you can find on streaming services and bandcamp.
Marcus Elliot is a saxophonist, composer, improviser, and educator based in Detroit, Michigan. Marcus is a 2020 Kresge Artist Fellow, awarded by Kresge Arts in Detroit. His compositions and improvisations have been described by the New York Times as "convincing and confident, evolved in touch and tone...", and the Detroit Free Press has said, "Marcus Elliot represents the next generation of jazz". Elliot leads and co-leads many different Detroit based bands including the Marcus Elliot Quartet, Clockwork, Balance, Beyond Rebellious, and Lanula. Elliot performs in the Shigeto Live Ensemble. He is a Fellow of the Geri Allen Gathering Orchestra. He co-founded the nonprofit Polyfold Musical Arts Collective. Elliot is the director of the Detroit Symphony Orchestra's Civic Jazz Ensembles. Elliot received his master's degree in improvisation from the University of Michigan.
Morgan Stewart is an American musician and designer based in Pittsburgh, Pennsylvania. Having previously released multiple albums with her dream pop band Sleep Experiments, her recent solo work is spare melodic pop featuring piano, guitar, her ethereal voice and wry, introspective lyrics.
Twïnn is a music duo based out of Detroit, MI comprised of long time friends Sean Healey and Gjon Gjevalini. Together they create psychedelic indie rock with a strong foundation in synthesizers and melody. With sounds ranging from 1960’s style surf, to futuristic trip hop, Twïnn blends a versatile sound not bound by genre.
Michigan native Stratøs is a saxophonist, composer, producer, and film photographer whose presence in the modern jazz scene is rapidly growing. His improvisational style is rooted heavily in the subtle melodicism of the cool jazz tradition and extends to the bold, complex nature of the electronic jazz scene. His compositions explore a combination of elements between jazz and other styles such as hip-hop, metal, electronica and classical. Stratøs is the three-time winner of the Herb Alpert Young Jazz Composer Award from 2019-2021. Additionally, he was awarded the ASCAP Foundation’s Johnny Mandel Prize as well as being selected as a National Sawdust New Works Commission Contest winner. The latter granted the composer the opportunity to write for the world renowned JACK Quartet.
In 2017, Stratøs began working with indie rock/R&B artist Charlie Burg. The saxophonist is featured on several of Burg’s works such as “Intentions” and “Lancaster Nights".
Stratøs’ latest project, Planets, is a full length album entirely produced by the saxophonist which features the likes of Alekos Syropoulos (Mac Miller, Anderson .Paak, Vulfpeck), 2019 JUNO award nominee Andrew Rathbun, John Hébert (Fred Hersch, Maria Schneider), and renowned saxophonist/composer/producer David Binney (Donny McCaslin, Knower). The album is the amalgamation of the producer’s diverse musical identities. Reaching from the visceral, distorted sounds and grooves of the death metal world to the serene soundscapes akin to Hayao Miyazaki film scores, Planets seeks to connect a narrative throughline between these juxtaposing elements. The record was released October 1st, 2021.
Zoos of Berlin
“Detroit’s Zoos of Berlin are an intriguingly odd lot, whose music doesn’t really sound like anything else going on right now. The word I keep coming back to is regal. It is soft-focus but obtuse, a little foppish and often fancy. Still pop music made by guitars and keyboards and drums and voices, but these guys are definitely in their own orbit.”
- Brooklyn Vegan
Patois is the alt pop moniker of Daniel Johnson. A native Detroiter, he began releasing music as Daniel in 2009, starting with the Bulbz EP for Ghostly sublabel Moodgadget, followed by three full lengths, Lazrus, Extracolor and Sicko, and the Hard Feelings EP, all repped by Downtown Music.
“Stay With Me,” from Hard Feelings, was prominently featured in Beauty and the Beast on the CW network. A rework of the Lazrus cut “Hard Core” by his side project Avila was featured in MTV’s The Real L Word. Avila, for which Johnson produces and writes, has had their music featured in numerous commercial and TV campaigns for brands including Victoria’s Secret, Trojan, Orange is the New Black, The Bachelor and Showtime’s The Affair.
Johnson also works prolifically creating custom music for TV and commercials. His productions have included collaborations with Flint Eastwood’s Jax Anderson for ESPN and Luscius for Santander Bank.
In 2019 Johnson, feeling that the use of his first name for his solo work was so common as to be unsearchable, and wanting to refocus and recommit, adopted the new alias Patois. His debut album Chemtrails is out now and he expects to release the follow up in late 2022.
Jefferson Parish is a fresh and innovative artist hailing from the valleys of Youngstown, Ohio, with a new sound and style that the world needs to hear! Jefferson has unique qualities as a musician to say the least. Parish is not only a rapper, but also a singer, producer and songwriter.
Working with Nexus Sound Studio, Idorra Park Music, & B.Sharp Publishing, Jefferson Parish has been able to create an astonishing melodic and harmonic sound that combines and fuses various genres and styles of music together. This allows him to be as creative as possible and also appeals to an array of audiences of all ages. Parish was influenced by a multitude of musicians and artists from his younger years, growing up in Baton Rouge & New Orleans, LA.
In Louisiana, he learned piano, violin, and was also in choir since he was 8 years old and has always been a huge fan of literature. His fascination for words led him to writing poetry and spoken word, which eventually led to writing songs. Parish is a very creative and unique artist, which is the key to making new and inventive music that we all desperately need. When Parish is not being a very busy and sought after entrepreneur with his fashion line “Muaegabi” , Parish can be found producing and writing songs at the studio. With the multiple styles and sonics, It’s safe to say that Jefferson Parish has music for everyone to know and love.
Ever since he could remember, Jon Dixon has had a passion for music. Jon began playing by ear at the age of four and has always enjoyed challenging himself by learning music in this manner. He began reading and studying classical piano at the age of 15 while enrolled at The High School For Fine and Performing Arts where he also studied Jazz with Mr. Edward Quick. Upon graduating he began performing with the Detroit Symphony Civic Jazz Orchestra under the direction of Detroit's own Godfather of jazz, the late Marcus Belgrave. While performing locally with this ensemble, he also attended Wayne State University where he studied jazz piano under Matt Michaels. As time went on, word of mouth began to spread about Dixon and his talents.
While in college he accompanied The Mosaic Youth Theater of Detroit as an accompanist/bandleader for their productions and concerts as well as performed all over the city and state. Jon currently teaches multiple group piano classes at the Michigan State University Community Music School in Midtown Detroit. He has had the chance to also play for/with Chick Corea, Jeff Hamilton, Robert Hurst, Delfayo Marsalis, John Clayton, The Count Basie Orchestra, Marcus Belgrave, The Detroit Symphony Orchestra, Leon Ware, Eric Roberson, Dwele, Amp Fiddler and more over the past decade.
Recently Dixon has been taking another approach towards music and production while currently working on various Hi-Tech Jazz projects. In 2015 Jon started an independent label, 4EVR 4WRD (Forever Forward) to focus on making electronic music fused with elements of Jazz, Hip Hop and other styles of music. "I feel that it is important for me as a musician to not only continue the rich culture and history of both jazz and electronic music but to also use my knowledge, theory and experience to combine the two and take both genres to the next level!"
Jon has had the opportunity to not only lead the Underground Resistance live acts Galaxy 2 Galaxy and Timeline, but he has also performed with Interstellar Fugitives, Amp Fiddler, Jeff Mills, Mike Banks, Derrick May, Francesco Tristano, Carl Craig, Goldie and more. Dixon is one of the city's most sought-after musicians for every genre ranging from jazz to techno. He believes that the more versatile and open minded you are at your craft, the further it will take you. Jon is currently working on multiple projects that are sure to be the beginnings of a new approach and chapter in Detroit's music history.
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